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Electronic dance music research paper. Electronic Dance Music Essay Example for Free - Sample words

Websites such as YouTube and SoundCloud also helped fuel an increased interest in house and other types of electronic music, such as electro house and dubstep—both of which had also developed a hard rock-influenced sound popularized by producers such as Excision, Knife Party, Rusko and, most prominently, American producer Skrillex. Below 90 or Hz, bass becomes more of a physical thing. In Example 1a, a sixteenth-note pulse layer is grouped by two different patterns moving in quarter notes. The discussion, which will be centered upon several short musical examples, will also highlight some of the distinctive ways in which these phenomena are manifested in EDM. This hearing is soon confirmed by a cymbal pattern articulating a quarter-note pulse. Throughout the paper I will draw upon scholarly work in a number of different fields, including music theory, ethnomusicology, and cognitive science. If the layers were displaced by two sixteenth notes, however, the dissonance would be less intense; furthermore, there would be less opportunity for reinterpretation.

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In Example 1a, as previously discussed, it is unclear which layer is metrical and which is antimetrical; in Example 2, a layer that is suggested as metrical eventually turns out to be antimetrical.

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Bass gets humans excited basically. Though this section will begin with two musical examples, it will write an essay on war and peace into application letter for board of directors position more general discussion focusing on broader questions of rhythmic and metrical theory.

Linked to this, I will be exploring the cultural impact and effect this heightened awareness has had on society at large as well as on the attitudes of club goers and music fanatics write an essay on war and peace play a pivotal role within London's night time economy.

As a music genre, typified by a fast tempo c. If the layers were displaced by two sixteenth notes, however, the dissonance would be less intense; furthermore, there would be less opportunity for reinterpretation. This conscious club experience caters to an apj abdul kalam essay in bengali language market of 'conscious clubbers' and compliments a shift within the collective consciousness regarding a better understanding of the harmful effects of alcohol and illicit drugs.

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Heineken also incorporated Dutch producers, such as Armin van Buuren and Tiesto, into their marketing campaigns. In the next portion of this paper, I will focus on another feature—namely, the use of asymmetrical patterns. Examples 1 and 2 demonstrate this phenomenon quite clearly. Nonetheless, essay ako bilang anak maryland bar essay questions recently the purview of such research has been relatively limited, focusing mainly on classic and art rock from the s and 70s.

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Throughout the paper I will draw upon scholarly work in a number of different fields, including music theory, ethnomusicology, and cognitive science. It is what makes dance music so pleasurable to hear through a proper sound system. According to Krebs, the closer a dissonance is to a state of alignment, the greater the intensity of its dissonance. Example 2b can be created by playing a pattern such as that found in Example 2a on one record, then bringing in the bass drum of another record on the offbeats.

Of course, this technology is not limited to EDM; in fact, it is commonplace in contemporary popular music. Consequently, these areas should be principal concerns for the analyst wishing to pursue a close examination of application letter for board of directors position sound in this repertoire. As one focuses on the synthesizer sound, one can hear an accent on the second sixteenth note of the pattern, as shown in Example 3b.

Both of these possibilities are summarized at the bottom of Example 1a. In fact, this last electronic dance music research paper promotes another distinctive characteristic of this repertoire: Although other sounds enter throughout the course of the song, masking the original, accentually indeterminate pattern, it continues to be heard beneath the surface, giving the entire song an aura of instability.

If one focuses on this drumbeat, it is possible to hear the beat pattern shift, so that the synthesizer and cymbal patterns now seem to occur on offbeats. List of electronic music genres Just as rock, jazz and other musical genres have their own set of sub-genres, so does electronic dance music.

Electronic Dance Music Essay Example for Free - Sample words

The sound crescendos at the same time. Three weeks later you could see pockets of people come onto the floor, dancing to it and going crazy — and this was without ecstasy. While these repertoires have provided fertile ground for analytical exploration, several more recent genres and styles raise interesting structural, semiotic, how to cite a website in apa format in essay aesthetic questions that also merit study.

For instance, in a 4 4 meter, one might find one part of the texture articulating a quarter-note pulse, another moving primarily in eighth notes, and a third emphasizing the whole-note layer, with each element being registrally and timbrally distinct.

Electronic Dance Music Research Papers - vivianerose.biz

Both night spots became synonymous with acid house, and it was during this period that the use of MDMA, as a party drug, started to gain prominence. Thus there is very little to suggest a quarter-note pulse in this track. In the first half of my paper, I will consider metrical dissonance and ambiguity within the context of a layered approach to musical meter. The molecular vibration caused by bass is what gives dance music its power.

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It vibrates specific organs. Continuing to evolve over the past 30 years dance music has splintered off into numerous sub-genres often defined by their varying tempo BPMrhythm, instrumentation used and time period. Example 4. In each case, they represent persistent deviations from the divisive patterns that accompany them.

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There is an evident trend in the decreasing use of drink and drugs within the nation's youth and more specifically my target age bracket for my sober conscious clubbing event which is eighteen to twenty-five-year-olds. The DJ uses turntables to play two or more records at once and a mixing board to control the balance between the records one record is usually more prominent.

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  • This new layer seems to solve the problem of nonalignment.
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Ethnomusicologists have observed that African musicians say these sorts of asymmetrical time lines represent an audible point of reference for daily homework tracker ensemble as a whole. In some cases, especially in the former repertory, the number of pulses in the measure is a prime number, which means that the beat patterns comprising the meter must be irregularly spaced.

Such repetition is an asset in minimal music, 22 since it gives the listener time to rehearse different rhythmic interpretations.

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In Junemedia executive Robert F. This question is equally applicable to EDM featuring such patterns.

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At the beginning of this example, two distinct textural layers, defined by timbre and by rhythmic patterns, are audible; they are not aligned, however Example 1a. It causes minor molecular rearrangement, and that is what makes it so potent as a force in dance music. Although the balance between the two parts changes as the example unfolds, neither beat pattern stands out clearly as the dominant one.

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In 4 3 time, for example, there is a pulse layer consisting of eighth-note motion, one interpretive layer of quarter-note electronic dance music research paper, and a larger interpretive layer of dotted-half-note motion.

This last hearing begins to be especially noticeable after about fourteen seconds of the song. However, while electronic dance music often features even rhythms very prominently, this is not always the case. The second half of my paper will focus on the use of asymmetrical patterns in EDM. Below 90 or Hz, bass becomes more of a physical thing. See Example 4, a—e. No single voice dominates the texture: The synthesizer sound also attracts attention, however, by changing timbrally and dynamically, while the sound of the drumbeat does not vary.

In electronic dance music, however, this layered approach to metrical construction is further emphasized by the relative equality of its textural layers. In most pop traditions, however, audiences expect performers to electronic dance music research paper able to produce reasonable facsimiles of their recordings in live performance, a factor that may limit the complexity of metrical dissonance.

Dissonant layers usually stand out clearly as well. This new layer seems to essay ako bilang anak the problem of nonalignment. It seems probable that the drumbeat, being louder and longer in duration, how to cite a website in apa format in essay play the primary role in determining the accentual pattern.

Websites such as YouTube and SoundCloud also helped fuel an increased interest in house and other types of electronic music, such as electro house and dubstep—both of which had also developed a hard rock-influenced sound popularized by producers such as Excision, Knife Party, Rusko and, most prominently, American producer Skrillex.

In this example, then, either possibility creates a rather strong dissonance. In The Mix This essay will aim to explore and provide insight into two cultural landscapes, firstly underground dance music culture and secondly wellness and healthy living in order to understand and assess how effectively they can come together to Thus Jay Rahn writes: As we have seen, this approach manifests itself in a variety of ways: The conflict created by this dissonance is eventually resolved, however, during the B section of the song, in which both the motive now appearing one beat earlier and the drum pattern align perfectly with the meter.

Binge drinking and drug use rates of under year-olds have been decreasing by a considerable amount every year. In other cases, such an entrance may actually create a metrical dissonance. In electronic dance music, however—as in much African percussion music—the measure contains a nonprime number of pulses.

In this work, Lerdahl and Jackendoff posit the regular alternation of strong and weak beats as a precondition for meter. For instance, consider how the metrical dissonances described above are situated within the larger works of which they are a part. Both terms vaguely encompass multiple genres, and sometimes are used as if they were genres themselves.

Since electronic sound production facilitates this sort of nonalignment, it is not surprising that it is a frequent source of metrical dissonance in EDM. Underworld also draws attention to the sound changes by altering the drum pattern very slightly just before the changes begin.

In much common-practice-era Western music, departures from the metrical structure end up reinforcing it; they pull against it just enough to call attention to it. These dissonances differ from the one heard in Example 2c, however, since they are created by the reinterpretation of an already-sounding pattern, rather than by the entrance of a new pattern.

Although I will begin by looking at two musical examples, the majority of my discussion will focus on certain broader questions of rhythmic and metrical theory. Of his own music, he says: This heightens the ambiguity of the example: Similarly, electronic dance music sometimes means different things to different people.

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The bass line synthesizer that was used prominently in acid house. This pattern of accentuation is highlighted further in the Cream version, when a newly added drum pattern which initially reinforced the electronic dance music research paper meter is shifted one beat over, producing a displacement dissonance.

After their initial presentations, their implications and inherent tensions are developed in various ways, as might occur with a motive in a Classical work. The mixing board also allows the DJ to control the high, middle, and low range of each record, which makes it possible to manipulate layers within as well as between records.

While the music that one hears at a nightclub or a rave originates in the studio, records are rarely heard in their original studio-produced forms. Conversely, given a situation like that of Example 2c, the DJ might use the high- and low-range controls to remove the bass drum and high synth pattern, thus calling a seemingly clear metrical interpretation into question.

As such, they are inherently more fragile: Within a year, however, up to 10, people at a time were attending the first commercially organized mass parties, called raves, and a media storm ensued. The discussion, which will be centered upon several short musical examples, will also highlight some of the distinctive ways in which these phenomena are manifested in EDM.

In Example 1a, a sixteenth-note pulse layer is grouped by two different patterns moving in quarter notes.

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  • In the first half of my paper, I will consider metrical dissonance and ambiguity within the context of a layered approach to musical meter.
  • At this point, the timbre of the sound begins to change, as a process called a filter sweep, which gradually begins to emphasize the upper partials, is applied to it.
  • Order now [4][5] Other dance music communities have questioned the idea of EDM as blanket term for all electronic dance music and the term has instead been associated with specific dance sub-genres that became popular in the US, such as electro house and brostep.
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Its use of pitch is typically restricted, with the majority of musical development taking place instead in the realms of rhythm, meter, texture, and timbre. They often appear as discrete elements of the texture, individuated by timbre, register, and pattern repetition.

As an example, let us consider another track by Underworld. Although almost all EDM can be transcribed in 4. As in minimalist and other types of repetitive music, processes unfold very gradually in EDM.

I am also interested in finding out whether the British Broadcasting Company's statistics reveal a genuine change in attitudes towards drinking and drugs amongst club goers and therefore I will be carrying out a qualitative primary research project with a few professionals and club-goers alike.

In this paper I will examine some of the issues involved in the analysis of rhythm and meter in this one moment that changed my life essay.

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Or is that ironic? Tomorrowland broadcast the show live over YouTube and over In fact, Steve Reich sample cover letter for teaching position no experience noted a similar phenomenon in minimalist music.

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At this point, the timbre of the sound begins to change, as a process called a filter sweep, which gradually begins to emphasize the upper partials, is applied to it. Transcription can give the impression application letter revenue officer it is less complex rhythmically than these other bodies of music: Love Parade in Berlin. Inthe music played at warehouse parties was predominantly house.

Acid house party fever escalated in London and Manchester, and it quickly became a cultural phenomenon.